What did you see this weekend? Was it the dour World War II epic? The raunchy New Orleans sex comedy? Or the movie where Cara Delevingne shoves her head into a telepathic jellyfish’s butt? Truly, with options like this, anyone who complains about the death of cinema has no idea what they’re talking about. Anyways, here’s the box office numbers through Sunday afternoon:
Despite the fact that Blade Runner 2049 is only the second movie in this franchise - can we call it a franchise if there’s only two friends? I’m asking for a friend - you’ll be completely forgiven if you’ve lost the thread on the events leading up to this film. Not only will the time jump between Blade Runner and Blade Runner 2049 probably leave a few fans in the dust, the first film was never particularly forthcoming with its own mythology, asking fans to piece together some of the political and technological events that led to the replicant revolution. Like the best science fiction, it was a movie that contained multitudes, even if it wasn’t always compelled to share them.
For many people who grew up in the 1990s, Home Alone is a film that ages alongside them. When you’re a child, you feel an immediate kinship with Macaulay Culkin’s Kevin, sharing in his delight at being able to run around the house entirely rule-free. The older you get, though, the more you find yourself goggling at the actions of John Heard and Catherine O’Hara‘s parents. How on earth could they manage to leave their youngest child behind? Was it really that easy to breeze through airport security in the ‘90s? Why do I still feel so sympathetic towards them even after all that?
Who would you rather fight, a million spider-sized ape or one ape-sized spider? It’s a question that’s been haunting my mind since, oh, about an hour ago when I started to look up the box office numbers for this past weekend. And while I might not be any closer to solving my riddle, I can at least say this: when it comes to week-old spiders versus brand new primates, the primates are destined to win. Here’s the box office numbers as of Sunday afternoon:
If we’re lucky, every few years we’re treated to a will-they-or-won’t-they love story that sparks our imagination and warms our hearts. Ross and Rachel from Friends. Jim and Pam from The Office. Daniel and Barbara from Bond 25. Yes, these are classic, iconic love stories, where two people who are destined to be together must nevertheless fight through a series of unfortunate events before going public with their mutual love and affection. Which is all a complicated and jokey way of saying, c’mon, Daniel Craig and Barbara Broccoli, we know y’all are going to make Bond 25 happen, so just do it already!
Did any new releases come out this weekend? I honestly can’t remember. Someone mentioned that there was a new Marvel movie in theaters - one featuring some sort of Spider-Person - but that can’t be right. I feel like I would’ve seen that, perhaps promoted on an unprecedented level for any superhero movie? Hmm. Well, anyways, here’s the weekend box office estimates as of Sunday afternoon:
Despite the fact that Spider-Man is Marvel‘s most popular and successful character - by the comic book standards, anyways - the studio hasn’t left anything to the imagination in the Spider-Man: Homecoming marketing blitz. We’ve seen Tom Holland‘s face on everything from car commercials to NBA spots to computer advertisements, ensuring that everyone around the world knew that a Spider-Man film was going to be in theaters this weekend. Heck, we were probably one hip-hop song away from throwing the whole franchise back to the nineties heydays of corporate synergy.
With a handful of major Hollywood stars choosing to speak out on behalf of gender pay equality in Hollywood, we’ve been treated to an unprecedented amount of transparency over these past few years. Major stars like Jessica Chastain, Keira Knightley, and Jessica Lawrence have all spoken out publicly about their own negative experiences on Hollywood franchises, and each passing week, more stars are encouraged to share their own experiences. Through it all, one important theme has emerged: in many of Hollywood’s biggest franchises, female actors are not being paid as much as men.
It’s the moment you’ve all been waiting for, Edgar Wright fans: did the filmmaker’s action-packed Baby Driver score big with audiences? Or does this weekend belong to sequels, sequels, and more sequels? This weekend was always going to belong to Despicable Me 3— it’s a big hit with the kiddos, don’t you know— but there’s definitely some room for optimism in how the rest of the weekend Top 10 shook out. Here’s the numbers as of Sunday afternoon:
If you spend enough time reading interviews with writer-directors, you may find yourself wondering how big a role music plays in the creative process. Hollywood is littered with movies that were written under the influence of a particularly strong playlist; filmmakers who have been given control over every aspect of production, from screenplay the final cut, can sometimes appear to be writing to the music that influenced them along the way. That’s one of the beautiful things about the work of James Gunn. Not only does he exhibit a delightfully eclectic taste in ’70s and ’80s music, he often finds ways to bring those songs directly into the action of his Guardians of the Galaxy franchise.
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